Exploding City

I have no sense of direction in Beijing. There is no Empire State Building to direct me north or City Hall to the south. The skyline here stretches on for an eternity. Giant, homogenous blocks imprisoning so many human beings. You start to wonder what would happen if all the inhabitants start screaming out loud at that exact moment. Screams from anger, screams from stress, screams from sex, screams from pity, screaming laughter. You wonder if it happens at the same time, might the decibels shatter the buildings one by one by one, from window to floor to earthshaking foundation.

This is what I thought about when standing on the roof of non-descript building #143. It took us forever to figure out what direction our homes were because there were almost no topographic change from one direction to another. All I remember thinking was how great if all this would end in Fight Club style. I thought please let me take a stab at the fugly CCTV tower first. It looks like a bad dream from Vegas, lit up 24 hours a day without soul in it.

But there is a soul here, limping here and shining there, beating wildly, screaming along with the rest of us.

The other day my father said to me, his voice rising to a volume I'm unaccustomed to: "America is a much much better country than China." I was riding in the 144th taxi since moving to Beijing four months ago when I replied, "yep, I know, and?" My face felt like porcelain and my tongue automatic nonchalance. I think seeing beauty in an explosion of ugly is worthwhile. I think father knows best but this daughter is a lost cause, a zombie walking into chaos and feeding on it. I think all the dreams and frustrations this city carry really might shatter glass if we all screamed, and I remind myself that that's why I'm here.

I think it's funny how everything I write in here of late is an affirmation and explanation as to why I'm here. Don't worry about me. I'm just ecstatic.

The moon is being eaten, blood spreading across its face

Listen, I never thought the first lunar eclipse I'd ever see would be from Beijing — standing on cold, hard cement from a temple theatre in a Hutong no less. Later, when the long-haired man next to me at the bar said he'd seen too many eclipses in his life to get excited, the second-guessing began. Surely this couldn't be the first lunar eclipse I'd ever seen. Surely I was romanticizing it as I walked away from the lit up theatre into a darkness unimaginable in New York City and craned my neck until my head almost rolled off. Surely this was only the most beautiful eclipse I'd ever seen, framed by the oldest wooden theatre in China built during Kangxi's reign over 300 years ago. If my life were a wuxia movie, I would have leaped to the roof with dainty feet and scaled the city with the moon burning behind me. Ordinary me could only stare hungrily, dropping all 21st century pretenses. There were talks of omens and auspiciousness, but mostly, there were people unceremoniously dropping matters at hand and tilting their head toward the sky. What a scene we made, dwellers of the ancient city, gazing at an ancient wonder that so many hundreds of years ago would have brought on whispers of the moon being eaten, ‘blood' spreading across its face.

In Beijing, it's these moments of calm that move me. When all that is said and done — the traffic-fatigue, the concrete jungle, modernity chipping away at the soul, something manages to steal you away and make you wonder if there was something in your blood that steer you toward the moon, waxing lyrics like giant poets forgotten by time:

花间一壶酒,独酌无相亲。举杯邀明月,对影成三人。 月既不解饮,影徒随我身。暂伴月将影,行乐须及春。 我歌月徘徊,我舞影零乱。醒时同交欢,醉后各分散。 永结无情游,相期邈云汉。

-《月下独酌》【唐】李白

Job's Tears

Work is constant: in front of the computer, meetings, emails, tea breaks, whiskey breaks, phone calls at midnight, texts seven in the morning, weekends, overtime, undermined. Everything here happens in mindnumbing Chinese speed -- from the nearby almost ready highrise apartments that were barely built just three months ago, to projects squeezed in an unmentionable amount of time. It's like the entire country is under the spell of Steve Job's reality distortion field, only unlike the pirates of the Silicon Valley, we're just not too sure exactly what we're working toward. I only know that while watching the Adventures of Tintin and seeing the amount of detail and craft and care given to every subtle movement, every scene, almost made me cry because, not yet, China will not be able to craft something like that. As for Steve Jobs and crying, there's been a lot of both. Somehow I managed to finish Walter Issacson's biography between subways, esculators, waiting at the bus stop, on the bus. For two weeks, I checked in with Steve at the Hujialou subway stop, glancing up from my book to his searing gaze from one of the many posters advertising the book in Beijing.

The biggest revelation on Steve Jobs, other than just how much of an asshole he was, is that he was a crier. He cried at meetings, cried during negotiations, cried when moved, cried because beyond the manipulation, the genius, the charisma, the guy just gave a damn.

Here's my favorite passage from the book from Jobs himself detailing Lee Clow's campaign for Apple after Job's restoration: This chokes me up, this really chokes me up. It was so clear that Lee loved Apple so much. Here was the best guy in advertising. And he hadn't pitched in ten years. Yet here he was, and he was pitching his hear out, because he loved Apple as much as we did. He and his team had come up with this brilliant idea, "Think Different." And it was ten times better than anything the other agencies showed. It choked me up, and it still makes me cry to think about it, both the fact that Lee cared so much and also how brilliant his "Think Different" idea was. Everyone in a while, I find myself in the presence of purity--purity of spirit and love--and I always cry. It always just reaches in and grabs me. That was one of those moments. There was a purity about that I will never forget. I cried in my office as he was showing me the idea, and I still cry when I think about it.

These days, when "I don't give a flying fuck" reaches out and grabs me by the gut and flips me over onto cold cement and smashes my face until I'm bleeding and bruised like a boxer champion, I remember that faces will heal and I remember to cry, because only when we cry do we realize that blood is still being pumped from head to toe, heart to soul, only when we cry do we know for sure that there's still something there that we care deeply about.

It's easy to lose it amidst all this haze, smog, people, cranes, but I feel a little better after I cry.

Rule #1: Talk to Strangers

Andrea wore a backwards baseball cap to keep her hair from falling in the sink while washing her face. After she's done brushing her teeth, she stuck her toothbrush in the back pocket of her jeans. There was an ease about her that was so undeniably un-Chinese that I found myself staring. When I struck up a conversation with her on the train from Beijing to Shanghai, it began with a statement in Chinese and ended with a question in English. We talked for a good fifteen minutes before introducing ourselves. Of the fifteen minutes, we spent most of it gazing into the moving darkness outside the window, at the hollow buildings and abandoned roads. The occasional night wanderer would stumble by our train car hallway, and we'd press our stomach against the cool glass to make way, still carrying on our conversation.

She talked about China as if it were a lover, a very physical being. The "affair" began, she said, back at home in Guatemala, when her family frequented Chinese restaurants. Her eyes lit up when she talked about home, how her whole extended family would crowd the screen when they talked on Skype, how the Chinese in Guatemala knew how to dance and move like a Latin-lover, how she was the black sheep in the family, never thought she'd end up here, and love it here, and extending her stay.

In Beijing, she took cooking lessons from a grandma in the Hutongs. She liked a dish that she wouldn't be able to find back in Guatemala, and so she was determined to learn it from the right people. The grandma took her to the market to select all the right ingredients before showing her step by step.

I don't exactly remember why she liked it here so much, but it was evident on her face, an excitement that I wondered might still remain on my own face. Everyday between staring at my computer screen and riding my bike I uncover a little bit more about this place. I'm untying it at the seams and hoping, starving, praying that I can become apart of it cotton and fabric.

I don't exactly remember why I like it here here so much. I figure if I ask enough strangers, I'll know one day.

Let us go then, you and I

For a day and a half, I become obsessed with T.S. Eliot's "The Love Song of J. Alfred Prufrock," in which Prufrock, the "shy, cultivated, oversensitive, sexually retarded, ruminative, isolated, self-aware to the point of solipsism..." representative of the modernist man is crippled by an overwhelming question. This I'm not so sure why.

Mostly, I think it has to do with pretty vowels and cold metaphors. Words like magnets in the dark, an embrace that tugs and pulls. Then life tumbles through, and when I ride my bike to and fro, when I carve out the city from road to mall, from bridge to wall, from skyscraper to the moon, leaving a trail of heavy wistfulness, I feel Prufrock weighing on me with his receding hairline, his yellow face.

"Oh, do not ask, "What is it?'"

I do not know how to respond when my hairdresser says, "you have lovely lips, did you have them done?" I do not know where I am, when I hear smatterings of Chinese outside my bathroom window instead of "hello, hipster, tea party." I do not feel the weight of slangs in either language. Like Prufrock in love — or numb to — I move, I go, I simply charge, and fumble, until—

"sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown."

LE GUN

"I only need to brush shoulders with the artists of LE GUN to be imbued with the elixir of life." - Andrzej Klimoski

In the end, the magnitude of each and every line, the space between each letter, the black and white that erupt into eyes, lips, and nose all weigh down on you like a heavy nightmare, the kind that when you wake up, you wish you could film it, paint it, conjure it again. There's beauty in the bizarre landscape of heads, bodies, and limbs tangled, and a force from the walls of ink, untouched by modern day tools, that is delicate and yet startling.

That is the work of LE GUN, and I'm proud to say, my very first project in Beijing involved bringing members of this British art collective for an impromptu window display/exhibition at the multi-brand select shop ARRTCO collection. Beyond overwhelming talent, these people were some of craziest, most genuine people I've ever met.

If you are in Beijing, do go marvel at these amazing drawings at the World Trade Tower III, B3. If you are beyond, buy LE GUN work through their website.

The Supermarket

First it's the sound, the continuous buzz from the swelling crowd, the hollering from the fish, shampoo, cracker mongers, the giant speakers announcing sales, the flatscreens churning advertisements. Now add the tightly squeezed shelf displays, the overzealous use of color, the lack of typography, and even more ads in the form of posters and motion graphics, there you have the 21st century Chinese supermarket, a headache dressed as a "convenience store." Then there's little you, little consumer, with your giant cart, going down the assembly line, row after row, dodging carts and ladies with their sample teas and elaborate packaging like you're playing Katamari, and all of sudden you think Japanese.

You think of Murakami and his End of the World prose, like cold fluorescent light caressing memories as you wade through this Hard-boiled Wonderland. You recall your favorite Japanese grocery store on St. Marks, how you pause at the packaging because it uses all the right colors, in all the right combinations, and there's nothing minimalist about any of this, except it works, and there's care in all that noise.

When you trip back into reality, and again let the hyper-capitalism tsunami over you, you convert the scene into a MV. That's right, a fucking Music Video where the buzz becomes iridescent noise and the crowds a trick of time-lapse photography. You stand in the middle of this: frozen, prickly, unnerved,

Then you realize, fuck this, I have seen supermarkets where garlics bloom and gingers shine like fucking gold, where vegetables are piled high and mongering is an art. I have known a place where bicycles reign and middle age men drink on the curb in their pajamas in broad daylight. I have known a place that clearly only exist in my head, and everyone else must be crazy.

Miracle miles and dreamer's disease

KAO. Only here at 22:45, whizzing past the CCTV tower, the China World Hotel, the I'm-so-VIP-XYZ building, only after a week of working around the clock and a contract to sign at the office tomorrow on a National Holiday, do I gain a greater understanding of The New Radicals. You feel your dreams are dying Hold tight You've got the music in you Don't let go You've got the music in you One dance left This world is gonna pull through Don't give up You've got a reason to live Can't forget We only get what we give

I have precisely died a few too many times this week only to learn that this is how people live here. Money speed money art money gains money passion money no time. My co-worker said, "there's been one too many times when I pray to God in face of an impossible task, and I'd say to him, 'God, I cannot be this unlucky. I will pull through this... I will pull through this."

With my warped mind channeling Chinese churches back in Ohio, I asked him, "so... you religious?"

"Not at all."

"It's good to hold on to a God in times like these," I professed.

Truth is, I think I will continue to die. This is the precise feeling I get from work these days, but it is the kind of death framed like you still have 24 hours to live. So you race to the end, you crush and blow and speed until the world is your kaleidoscope.

Below is the phrase of the day. A co-worker said it, and I made him write it down.

Just hold on.

Lothlorien Beijing

If I don't focus too hard, that is, after I take out my contacts, wash my face, rub my eyes, and look out the big window from my bathroom at night, I see lights floating in the dark, like Lothlorien coming to life, a lumbering forest with lanterns walking toward me. In reality, that is, when I find my glasses, put my glasses on, squeeze my eyes a few times and look out the big window from my bathroom, I see high rise apartment buildings with their unblinking lights.

I wonder at times if it's the concrete, the malls, or the escalators that's making me see forests in the dark. Beijing is like a giant machine, its metallic heart rumbles and tin foil ears beckon. Every morning I trace a route of motor car, escalator, security check, subway, bus, elevator, office, mall, then office, bus, escalator, security, subway, mall, escalator, a long walk among neon lights. The office has become my home, the mall my kitchen, and my home my bed. It's all rock and grand and makes you feel like an abnormally small playing piece in a board game.

But there's a fragility in the grandiosity, a fear made of whispers, they say: the food is poisoned, the prices too high, the people are suspicious, and life is hard. I'm watching all this with my marble eyes, glazed and happy, and I wonder if they think I'm a little sick voyeur, watching, waiting, bating.

It's hard to say, but I'm pretty sure that Beijing, well, she's just exactly the opposite of Lothlorien, and so she should be, so she should.

The grass is always greener...

...elsewhere. 1) A 21-year-old boy from Barcelona is traveling the world. He says, in my country, if I go to college for four years, I'm going to end up with a job as a cashier. So instead, I'm going to travel around the world for five years. I was in London before, and now this is my fifth month in Beijing. I like it here. People care more about each other here, not like Europe, there people are more selfish.

2) A Xinhua reporter once based in Pakistan and Afghanistan says, it's not what you imagine to be, with bombs dropping everyday and fear pervading every corner. I'd much rather live over there than in Beijing. There's too many people, too much dust here.

The solution is to always be on the move, always see more of the city, the country, the continent. Always have two worlds in your hands. Always have guts, like boys who run from college for the world. Always put yourself in uncomfortable situations. Always eat whatever's on your plate.

Devour that durian, dammit.

Cranes, trains, and aims

A friend long ago told me once, “I drove by a hollowed out building tonight, and thought of you.” He was referring to a non-specific building on a non-specific roadway into Columbus, Ohio. The building was halfway demolished, and under that precise orange glow of American street lamps, it must have looked a bit otherworldly, a little breathtaking. Here on the other side of the world, construction cranes groan into the dead of the night like creatures from the abyss, unnerved and persistent. I must have stood in the rain for minutes, surrounded by posh apartment towers in front of a construction site operated by ghostly hands — hauling metal, dropping bricks, grinding dust. It's eerily beautiful, accidentally mesmerizing, or as a friend long ago may understand, I just have a thing for unfinished and/or half demolished buildings. I love the lightness of a massive, skeletal frame, love the unpolished cement gray, and if such a love could endure, I'm probably in the right place.

In China, gray buildings rise like rows of tombs, somber and sad. For every block erected, dozens more fall. It is a place where majestic cranes rule, their long arms reach out, like overseers to a brighter future. After thousands of years, China is extending the Great Wall by crafting towers, roads, and bridges in that same shade of gray. There's something apocalyptic about all this movement, and yet, behind the frenzy, a stillness, more serene than any Times article can prescribe, is here.

Finally I can think.

Dispatches from Beijing

Let’s be honest, there’s nothing poetic about Beijing. It’s as if a giant octopus lay down and died here, its tentacles then forged into great concrete roads, overhead passes, and more formidable looking blocks of government buildings, malls, and office towers. Man is dwarfed here by the length of the avenues, the endless stream of cars, and the incessant beckoning from red banners that seem to shake you by the shoulders: “stand up for a new generation of civilized Beijingers,” “strive toward a harmonious society.” BE HAPPY, the banners shout, for god’s sake, be happy. For once, I feel beleaguered by the sheer volume and noise of things. A funny feeling for someone from New York, New York, where everything is packed down to an atom, overreaching in density. But on the third trip back to China, I did not leave from the hills of Ohio. New York is in my blood, and I see everything now with my Broadway Layfaette lens and Sunset Park heart. Only a week ago, while watching the cityscape unfold from the N train: Brooklyn Bridge, Chinatown, people from all over the world, did I ask myself, do you know every nook and cranny of the city? Do you know its every contour, every hidden cul de sac, every line of division, all its history. Are you really leaving the city that breathed life, love, and audacity into your very being?

(Pause for an extended “I love you, New York” moment.) But yes, I suppose, I guess, I _know_: I wouldn’t want it any other way.

On the third trip back to China, I am no longer wide-eyed and ecstatic, but rather, hardened by expectations. Places have always excited me, but that excitment I had/have for New York, in the end, slowly chiselled an armor for me, where I focus on my iPod, iPad, iPhone, iLife as opposed to strangers making small talk on train. I’m not sure when the infatuation stage ended, when we settle into the mundanity of everyday life, when cities lose their splendor, and strangers no longer a potential friend.

This was the armor I wore on a flight to Beijing, and that was the reality I was ready to smash. In China, everything disarms and unsettles. On the flight, I listened to kids next to me having a spirited discussion about China — its economy, its politics, its shortcomings, its accomplishments. The conversation concluded with a proverbial statement: if you don’t have what it takes to leave, then you’re stuck with it. (没本事出来,只能憋着). This is the irony, I suppose, confronting all of us “sea turtles” who make the decision to return.

Yes, with regrets, and yes, with greater audacity, and yes, with a touch of madness that I need to confront a wholly different concrete beast.

Beijing awaits, I hope, in all her foggy splendor, with all her strangers.

Here’s an effort in better record keeping.

DAY 1: Friday, August 26

An acquaintance, friend of a friend, became a friend on the flight from Chicago to Beijing. I considered this somewhat of a serious karmaic mind fuck, and cautiously believed it an auspicious start for my voyage to China. Not only did we end up being on the same flight, but getting a seat next to each other? Freakish. All this in the back drop of an incoming hurricane hurtling toward New York City that I somehow managed to avoid, Godspeed.

I kept on sitting next to all sorts of interesting people. In the waiting room in Chicago O’Hara Airport, two Chinese men, one in his fifties, one in his late thirties, were, of all things, discussing the merits of The Dream of the Red Chamber. The younger one claimed that there were simply too many characters in the classic, and that it was a useless read and not applicable to contemporary life at all. He then went on to cite an even earlier classic, Outlaws of the Marsh, and one of its many, many characters, Song Jiang as “just like a contemporary government official, always courting favors with people.”

The older man then patiently extols the values of Red, its deep symbolism, the vast fabric of relationships and customs that still remains in modern China. Of course, then a three-year-old boy from across the aisle would make an attempt to climb on the old man’s knees, and as the mother frantically apologizes, the old man patted his knees and says, “no worries, no worries, let him climb on.”

For the next ten minutes, I watched the old man help this kid climb on his lap. The kid would stand proudly on the old man’s lap, his chubby arms stretched out like a superhero, then the old man would help him down, only to have the him climb back up within seconds.

“Not afraid of strangers at all, this one,” the old man beamed to the boy’s mother. “It’s good to be so mischievous now, but when he has a mind of his own, then it’s trouble. Children are at their most innocent now.”

So said the walking sage, who, as he helped the superhero down once again, made a sound of a happy yelp.

DAY 2: Saturday, August 27

China is still very poor. With all the focus in the western media on Chinese optimism, Chinese efficiency, that debt we owe the Chinese, it’s easy to forget how poor it is. It’s a type of poor that most Americans cannot begin to imagine, a deepest kind of poverty that goes beyond food stamps and panhandling, a kind of poor that you can feel, see, smell on a morning walk in Beijing if you know where to go. In the crevices of all these grand new developments, parts of Beijing still looks like a village.

China is also very rich. On my flght back to Beijing, I sat next to a group of 7th graders who just returned from a visit to America, a grand ole tour that included several Ivy Leagues and major cities. The kids holding iPads on one hand, iPhones in the other, and a Nintendo DS in between told me last year they went to the UK, to visit Oxford and Cambridge, and all this was organized by their private school in Beijing. This in a nation where the average worker in Beijing still only makes around $400-$500 a month, and that’s Beijing.

DAY 3: Sunday, August 28

First full day in Beijing, it felt like I was only waking up. Now a foreigner, I spent a good full day attacking errands, trying to piece together a new life: getting a new sim card, re-activating my bank card, getting a new subway card, registering within 24 hours at the local police station, where the officer let the phone rang for a good twenty minutes, and never picked it up.

Efficiency, just lovely.

Saw Rongrong, her story is complicated, something to file away. Saw Fanqie, she recently lost a financial analyst job due to instablity in the American market, and a boyfriend too, due to Chinese dudes who need to man up, but that’s another story.

Fanqie said, “you’re more mature.”

The Confucian inside me automatically retorted, “I’m just old, that’s all.”

Fanqie makes a fake angry motion at me, “if you’re old, what am I, dear girl?”

I love this girl. Her hair’s grown out to her waist, and it’s a beautiful curtain of black that she likes to joke, “would be great for a hair commercial if they only shot it from the back.” I don’t know how many times I’ve told her she’s a gorgeous girl, and that if she were in America, she would be snatched up so quick. Then I remember myself, this ain’t America, this is a place where dudes need to man up, but that’s another story.

Born to Party. Forced to Work.

On the last train taken from work, a boy with a guitar belts out "Stand by Me." "When the night has come And the land is dark And the moon is the only light we'll see No I won't be afraid, no I won't be afraid Just as long as you stand, stand by me."

He's wearing a blue shirt with the words "BORN TO PARTY. FORCED TO WORK" spelled out in bold white letters. Half way through the first verse, he switches effortlessly to Spanish, sending meaningless syllables to my ears that wrap around the heart. I shove a one-dollar bill to his hand just as I exit. That's a one-dollar for every guitar wielding, erhu playing, beatbox jamming New Yorker I missed in the past three years. I make up a name for him in my head: Oh Jorge, where else can I find you in the world.

Jorge I won't find you in the subways of Beijing, where the flourscent light gleams off of white tiled floors. You won't be on Tiananmen Square, warbling in a foreign tongue amongst peddlers of Mao watches. Even in the tunnels where guitar players roam, you'd be out of place. Only here, hopping between New York City subway compartments, do you belong, do we belong.

Cowboy Bebop, Battle Royale, and Shiina Ringo

In "Sympathy for the Devil," session 6 of Cowboy Bebop, we see a fleeting view of the skyline. The image is doused in blood orange, but it's otherwise typical rooftop New York--the kind of typical and timeless that ends up on a postcard in a corner shop. Years ago when I watched this scene from a glowing computer screen in a small town in Ohio, the moment was lost on me. Ten years later, I'm scrutinizing the lit up, triangular crown of a skyscraper like I'd seen some ghost. If I were an anime character, the moment would have been captured in a freeze frame and drawn out with harsh, jagged lines as realization dawned. In East Village, New York, I realized:

It was the Chrysler building.

Only, it took me ten years to know it by sight, and it was the weight of the ten years. what was lost, what was gained, that made the same harmonic song all the more startling.

Ten years later, Cowboy Bebop is still genius. The tropes of anime did not detract from its sophistification, its beauty, its ability to deliver a well-crafted, complete storyline in under 30 minutes, with characters that are whole and flawed, who are more real than your best acquaintance. Watching all this again is as if I'm gazing into my fifteen-year-old self, like Faye in "Speak Like a Child," falling into a strange, lonely, lovely past, waiting, still waiting for something inexplicable.

I don't get this show anymore than I did before. If anything, I might commiserate less as I slowly tumble out of the obsessive stages left from the teenage years. Those were the years reserved for day dreams, fiction, an audacity to love and cherish deeply.

These days, I meet people who love Cowboy Bebop. Who are travelling half way across the world for a Shiina Ringo concert. Who watched Battle Royale as obsessively as I. Somehow it feels like life has come full circle, and I almost wish I could stare down every fifteen-year-old obsessed with things a little strange and let them know that it's okay, it's okay because one day, the world will grow bigger, and much much smaller, and you will meet a boy who wished he could be Spike Spiegel.

See you Space Cowgirl.

Meeting Zha Jianying

"Ms. Zha Jianying, meeting you for me is like meeting The Beatles for most people." There's always a degree of embarrassment involved in meeting your personal hero. You want to appear dignified but not too dull, enthusiastic but not too fawning — all in that fleeting moment of post lecture greetings and the speaker whisked away by her equally luminous colleagues.

Best to use The Beatles, whose fanatic legions of screaming fans did not in fact, detract from their legitimacy and, well, sheer awesomeness.

Now here comes the follow up. "My name is Chen Qing Qing. I want to be a seagull just like you."

The Seagull (hai ou), following the sea turtle (hai gui), is a neologism coined for Chinese people who travel and work frequently between China and an adopted overseas country. In her lecture, Zha used the word to describe herself, the word then tumbled out of me, kicking and screaming, while my heart thumped like techno drum beats. I desperately wished my friend, who baited me just minutes before, "you should really go talk to her you know, just go do it..." would intercept now with some offhand comment about the lecture, about China, politics, food, for godsake, something.

Nope. Nothing. The moment was mine, and as she signed my book, I told her, "it's Qing with the water radical. Qing of Qing Dynasty." Two Qings, and therefore, two explanations. I told her, "I came to the States when I was nine, but I'm going back to China soon." She commended my Chinese, then told me about her daughter — growing up in the States until age seven, schooled in China until age fiften, then back to the States.

How many of us are there now? I wondered. Happily flitting from one place to the other, or neither here nor there?

The last time I thought of Sean Lennon + Thank You Japan

The last time I thought of Sean Lennon, I was doing research for someone else's article on Lennon's work for a film adaptation of Coin Locker Babies. This was after proofreading someone else's article on the Boredoms, and thinking, no way, people really wrote about Japanese noise bands and Sean Lennon for a living? Not quite, but point taken, I'd never been cooler than at age 20, star gazing from the cement ground of my first summer in New York City.

At age 25, and what is to be my fourth New York summer forthcoming, I'm probably not as cool (ie: fled a free Drums concert yesterday when the kids got too rowdy), but at least I can put up the $25 for a benefit concert for Japan with Sean Lennon, his mama, Cibo Matto, and Sonic Youth.

The last time I saw Sonic Youth, I didn't pay a whopping 400 yuan because I knew who the hell they were, I went for a more practical reason -- to cement a friendship.

Mao, Rong and I met a week before the concert, and I knew I wanted to keep them. I stood all the way in the back and breathed in other people's cigarette smoke. I decided "Incinerate" was all right. At the end of the concert, I said to Mao and Rong, "you all should come to my place for some hotpot and we can play Chinese jumprope too."

They were the type of people who'd be into Chinese jumprope at age 19 and 23.

I remember Mao replying, "all right, proactive, that's way to do it."

Who knew we'd end up falling asleep to Japanese horror flicks at their place. Who knew we'd hitchhike a ride to the great wall and play Chinese jumprope on top of Simatai. Who knew we'd go to Mongolia together and stay in a yurt under the stars. Who knew I'd love them this much. Who knew I'd leave. Who knew they'd break up.

All I know is, I'd never been cooler than at age 21.

So Sean and Sonic, help me remember all that is Lennon and youth, and help Japan, because between the horror flicks and music, so much of our youth was Japan.

Thank you Japan, for L'arc-en-Ciel, Art-School, Buck-Tick, Shiina Ringo, LOVE PSYCHEDELICO, 元ちとせ, Utada,加藤登紀子, AKG, スキマスイッチ, 安藤裕子, Bonnie Pink, fra-foa, レミオロメン, 五輪真弓, フジファブリック, 山口百惠 and all 1/3 of my iTunes playlist.

Thank you Japan, for Kenzaburo Oe, Kawabata Yasunari, Murakami Haruki, Yoshimoto Banana, Murakami Ryu, Kanehara Hitomi, Edogawa Rampo, Mishima, Soseki and the respect for great writing.

Thank you Japan, for Cowboy Bebop, Doraemon, Sailormoon, Kodomo no Omocha, Flame of Recca, Gundam Wing, and for giving kids these beautiful worlds to dream about.

Thank you Japan, for All About Lily-Chou-Chou, Studio Gibli, Battle Royale, Onizuka, April Story, Kitano, Love Story, and the much too many disturbing/heartwarming cinema that informed the psyche of sixteen-year-olds.

We're not the same without you. Ganbare.

Interpol, Dog-Tired, and New York City

Interpol says it well, "Tonight I'm gonna rest, my chemistry." Note the pause, wait for the weight to sink in, that's what I love about this band. Every word is a declaration, and at the same time, a resignation. Of course, I think they be singing about cocaine, and I'm just borrowing lyrics to wax on a very typical New York day. Interpol says the truth, "I haven't slept for two days," and at the end of it, I hit the sack like bricks with no mortar. My limbs just about fall apart--a marathoner who just overdid it--and yet proud, I'm proud of these dogged New York days.

Obstacle 1, the daily commute, and I'm crossing the Manhattan bridge for the 789th time on the Despair train. It's the same shimmering sight of lights, some regal, and then there are these two buildings dressed in blinking technicolor bulbs, looking like they lost their way en route to China. I think, I'll miss these two buildings. I'll miss this New York, black and naked in the night, when I leave it one day.

I have a habit of asking New York transplants whether they thought they'd be here for as long as they have, and almost unanimously, they exclaim, "no!" "not at all," "two or three years?" and here we all are, racing against the years. I ask out of fear, I think, fear to be rooted.

But New York is full of brilliance and splendor, it really is. If Ohio was lonely and strange, New York is our own little vertical paradise. ...And China, China is a complicated mix of nostalgia, fear, intrigue, and enlightenment. In the end, maybe the places don't matter all that much. In the end you only recall a blur of faces--family, friends, characters. Go where the people are. Go where the weddings are. Go where the stories go.

Go.

A corner at the end of the world

In retrospect, what I remember most about Barcelona is the morning cafe con leche, croissant, and fresh squeezed orange juice. The best part about the ensemble is just how citrus the juice was and how the coffee came in a small cup. If you'd like to offset the citrus with something sweet, the Spaniards like their croissant filled with chocolate—chocolate melted at the center and melts down your gluttonous little stomach with no regrets. Europeans always seem so serious about their coffee, wine, bread, cheese, and chocolates, and I'm happy to report that they make up my stay at the city. From bikinis (a ham & cheese sandwich) near Park Guell to 11 euro set lunches at the spectacular El Grande, we ate our way across the city, and savored every ham, sausage, cheese, tapa, dessert, coffee and Spanish thrown our way. Every morning we rose with the sanitation trucks beeping and sweeping on the Rambla, and dined late as Barcelonians. Lunch was three in the afternoon, dinner ten at night. If we partied, it would be until six in the morning. While New Yorkers, Hong Kongers, and Tokyonites sped through life on subways and with a plastic coffee cup in hand, the Barcelonians squeezed and stretched every minute until time itself gracefully lengthened.

Take it easy, my midday coffee seemed to remind me. Just do it, my evening coffee whispered. Of course, that wasn't exactly the case as we tore through the city on our feet. Elaborate architecture met and was met again on foot. All of a sudden, life's choices were reduced to whether we should turn left or right to this alley or the next, and the decision making factor would rest solely on the moment of fancy, consequences be damned.

We climbed on top of mountains and visited Roman ruins underneath grand cathedrals. We crossed boulevards and marveled at an elaborate windowsill, only to be stunned by the next balcony. We snaked through charming alleys and stumbled onto seedier immigrant enclaves. We ran across town for an FC Barcelona game. We saw churches that made could atheists cry.

So that was Barcelona, as beautiful as its name, and more radiant in memory.