Beijing

Ella Fitzgerald's Love Songs

DJ: Thnx. Don't let Beijing get to u. Enjoy it for what it is. Q: What does that even mean DJ?

DJ: just means enjoy the awesome people u meet here and don't let the temporalness of it get to u. So many good people here to "figure things out." Anyways, maybe too deep for 3:30 in the morn.

I met DJ maybe two weeks ago, the night of Fei's going away, music trading party. DJ is leaving next Thursday, back to the States, back to Seattle. He asked for music event recommendations in the Jing because, judging by the fact you had a hardrive ready for that music trading party. He's right. I invited him to Mongolian throat singing, Hanggai, and almost didn't recognize him. Joan and Banning were there, so was TJ, but I just stood in the front and danced, because at the end of the day, when everyone leaves, all you can do is keep on dancing like a fool. All you can do is press your body against giant speakers and let the vibrations pour through your very being.

Joan and Banning will leave too, in a month. One day, maybe, I'll have a going away party. Who will settle here. Who will remain. Who will continue the threads and unwind their lives. TJ says, I'll be here at least for the next few years. I owe him too much. I owe him all the hurt that I've saved for myself, but instead, I launched it all on him. The amount of cruelty of capable of, paralyzes me. But at the end of the day, the music goes on, and friends will come and go, and men will stay or leave, and all that is left is you and the speaker.

Speak up.

Hearts Like a Fool

"My real name is not Angie, you know. It's Anna, Anna Panskova." I'm talking to Angie, no, Anna Panskova: 22, model, Muscovite, lead singer of her indie band "Tony Sopranos." She's wearing a Mika Miko punk rock shirt and I'm staring into her emerald eyes and suddenly I get it, I just get it.

I get why Salvador needed his Gala Dali and Man Ray his Kiki de Montparnasse.

"This is just a day job," she says. "I'm touring Europe with my band in three months." When she talks about music, her whole body moves with her eyes. She plays a song. She writes all their songs. She says her band is young, except her, she's getting old. Then she sings: hands out, lips pout, eyes fierce, everything else joyful, and I'm seeing a stage floating behind her already, swallowing Anna Panskova whole in glitter and gauze, light showers and applause. She lights up like she does in the photos. Her eyes hard vials of poison.

It was something close to love at first sight. We had a room full of models for casting, and there she was -- chopped blonde hair, black eye liner, technicolor shirt. My playlist was on the 349 Music Monday tracks I jacked from Ronald. She moved the whole time -- the whole damn time like the universe was hers and all these other beauties around her? Amateurs.

I love the girls who dance in a stuffy studio to my iPod. I love that when I tell them, "sweetie, you've got a sensual look, but I need you to bring out your inner man, bring out your fierce." First they look scared and then they do what you say like professionals. We all fake it until we make it. When they get it, I shout an awesome and there's that power, there's that smile, and I smile back at the beauty puppets. I feel the power too.

Anna Panskova was literally our next to last model, and when she strut I didn't say a thing. I just told my photographer JP to keep going, keep shooting. When she's done she said to me. "Hey, this was fun. I love it. I can look like man so this is fun."

"I like her," I said to JP. "Let's keep her."

Two days later Anna Panskova crashed through the doors of our photo studio, wet haired and a vision, right into me for a hug and kiss on both cheeks. I'm feeling kindred spirit burning and that damn, I kind of miss beautiful white girls.

During hair and makeup, she asked the makeup artist what song was playing. "Is this your music? I loved what you played at casting! What is this song called?" Later that afternoon, we spent a good 10 minutes looking for that song on my 349 song playlist.

"You know, it's that guy, then he's joined by a girl in chorus," she sang here, but my mind was a blur.

When we finally found it, she's happy and I was secretly too. She played DJ for half of the shoot and I jacked a few of her titles myself. The Tings Ting, Museum of Bella Artes, Russian indie bands. I thought of the days back in Brooklyn. We were 20-year-olds and lying on the floor of some basement apartment listening to Sigur Ros. The floor was cold and Rob asked Sasha, "what is she doing on the floor like that?" Sasha said, "she's listening to music."

From Brooklyn to Beijing six years later, some things don't really change. We keep on falling in love with the people who love that song that meant something that take on another layer of meaning because hey friend, do you love it too? Do you? Do you? Cuz if you do, I heart you like a fool.

Wake Up

Mos Def. So sexy. Light and shadow, beats and drum, beautiful people. Fine dining. Harsh work, overtime. Ladies and gentlemen, toss your boogie man in the closet. Get your train badge, your mile high gold badge. Break some hearts. Most of all, WAKE THE FUCK UP EARLY SO YOU CAN GET MORE WORK DONE & live longer. You're making me stronger. I'm much more stronger now.  

I'd be lying if I didn't admit I can't keep up with life lately. Work, friends, men, wine, movements, moments. The beat goes on, just gotta keep up, keep things in order, keep it tightly wrapped.

Whispers glide past my ear, and the next we're zipping from office to the Hutongs. The beat goes on. I'm meeting up with my nineteen-year-old skateboarder parkour  spoken word friend and we be chasing French folk, Brazilian funk, dub step around the drum tower. Later T.J. said "Clem had a Mohawk" and I'm all like, fuck, really? All I remember was he had a small, tanned head and a voice that spoke like it sang and sailed. Clem and I met at some writer's group with nice, Christian people. The second time I saw him was at some Open Mic night he organized that happened to have a lot of Christian missionary kids who read from the Bible with tears stinging their eyes. During the middle of it, with Goon Squad in my hand and Jesus Christ on my mind, I gestured to Clem aka Tseng Xiaolong, "hey, hey Clem," I said. "I'm Atheist."

My eyes zeroed in on him like it was an ultimatum. I'm down with Christians, but if Clem was one, he'd be one of those Young Life hippie Christians who scares the shit out of me. So when I say my eyes zeroed on him, I mean it was a question chipping at the foundation of this budding friendship. Hey kiddo, what are you? I asked. Clem laughed like an Indian guru. He looked like one that day, with his wispy white tunic and bare feet. I remember that his feet were slim and tanned and he had a gentle smile of a cat. He said "no no" like he was tossing an apology, but I like that he embraced people with that smile of his.

I smiled back to let him it's chill, that somehow I already knew the answer, that Christian or not or whatever else, we were on a weird wavelength that made sense, and maybe that's all that matters in this city of Hutong mazes and impossible friendships.

That night it rained and we hopped over fences until we lost our shoes but not our hearts. Clem bought us four 老Beijing popsicles and cigarettes in exchange for T.J. taking care of the bill. T.J. always takes care of the bill. But he does it so unobtrusively and sincerely, that it actually makes you feel good. When you do it not for face, not for any ulterior motives, all you need in return are four 老Beijing popsicles and a pack of Nanjing cigarettes.

Failure in Traumatic Colors

2:44AM, on a bike, bleary eyed, heavy heart, orange lights, a soundtrack for the times that's more emo than the College collection. I think, fuck you Beijing, why do you make me crawl home at the ungodly hours with my stomach in a knot. Even worse is this ridiculous craving for raw instant noodles, the kind you ate during second grade. You'd pour the pocket of MSG flavoring all over it and eat it with a crunch, but the majority of the flavor would be devoured in that one bite but that's okay because the raw noodles themselves are just as good. When life was simple all you cared about was how to devour raw instant noodles after extra sessions of math class. It's a single-minded goal delivered with the most satisfying bite. Instead we're here again Beijing, at your ungodly hours, at your service, at your fucking whim.

and I'm sorry for it already, I'm so sorry.

Beauty & Cruelty

In China I'm slowly learning to build an armor of fortitude, and by fortitude I mean acute paranoia that govern the way I wade through crowds to meeting new people. Between work, malatang streets, mojito stands, neighborhood bars, friends of friends, and chance encounters, it's easy to meet new and likeminded people here, but they are harder to know and harder to keep. I'm tempted to sketch out a visualization of friendships if it weren't for the fear that it would crumble like a spider web in my hand. Beijing changes people. The transplants who pocket dreams and ambitions here are whisked away by an overwhelming sense of entitlement. We're young and suddenly rich enough for ayi-s. We do things here like it's a state of limbo with no consequences, because two, five years we'll be back in New York City, L.A., or London when the glamour wears off and our hearts grow numb. What a world. Don't forget to check the mirror once in a while to make sure you're not an asshole. Don't be too cruel and don't forget who you are.

Beijing is temporary. Going away parties are constant. Seems like every month someone packs their bag with a one way ticket out. You begin wishing every one of your friends could fall in love quick so that they may prolong their cameo. After too many "I'm leaving for _______ tomorrow, next month, July" on the first meeting, you learn to not fall in love, period. You learn to hug your armor tight and wave it off with a smile. In Beijing you learn to live with an indifference to protect yourself. Just don't be an asshole. Be kind.

Remember the people you meet here. Remember their faces, remember their names, remember the moments of empathy and the time you realize that wow, this one, this one I'm gonna keep.

Here's hoping almighty God keeps them from going to Hong Kong, Vietnam, New York,  L.A., London, or whatever backwash town there might be in the world. There really ain't no other place like the 'Jing. Don't mind me if I keep you forever. Most of all, don't be cruel.

Giorno buon, dormito bene

New Year’s resolution, check. Not bad for March 13. Sense of accomplishment, almost none. Funny how life works. Lesson therein, if you’re going to have a New Year resolution anyway, at least set higher standards, make them count, make them the ones that take discipline, time, and commitment instead of a whimsy derringdo. Time now for a spring diet plan, say goodbye to the wine and dine and conversations made of riddles. Time to stray from the beauty, the decadence, the caprice. Bring out the austerity measures, the sun at seven in the morning, for kisses to mean something and to not stare despairing at the computer screen. Granted, tomorrow when I'm between traffic and four projects at once, I’ll say fuck all and go on my bumbling ways, but at least today, I say curse less and be more ladylike.

2AM, Summer Night

My co-worker said: “You’re becoming a junkie.” I waited for the smirk to curl into a laugh, a statement to unfurl to a joke, but when there was none, when I think he’s half-serious, I could only sputter incoherently. He goes on to say, “see, no way are you an introvert” also in reference to my lifestyle habits.

I think of how I used to like cats until I started to like dogs more. I think of how I’d always get an “I” on my Myers-Briggs test until I keep on getting an “E” when I took it two days ago (ENFP!). I think of how I'm starting to like both cats and dogs now and what this all means to the universe. I don't see how any of this would result in a junkie comment, unless by junkie he means I'm gulping down as much excitement as I can. If by junkie he means I'm never home except between the golden time of 9-10am. If by junkie he means I'm alive with every fiber of my being.

Too much Cudi for my own good and raging. Just enough wine to rescue a kiss. When we take smoke breaks we end up hurling the butts from floor seventeen. Sometimes the pollution itself smells like smoke, and god knows how much worse the air here is than drugs.

On the uncertainty of life he says, “it's like having a monkey on my back.”

Better monkey than elephant.

Roof Tops

I'm starting to miss New York. The carefree days spent before I packed my bags full of hopes and dreams. I'm starting to miss the days when we snuck to secret parties and slept together on roofs, when I was 20 and had no fake ID and had been kissed once by a complete stranger on the subway. True story. Sounds like an assault now if one had actually lived in New York long enough, but as a temporary girl in a city made of forever, it was just a great scene from a movie (speaking of which, saw a GREAT kissing scene between Gosling and Mulligan from Drive today). New York was full of romance. On Union Square, I saw every person with bright eyes and wide smiles and wished them the best. What luck that our lives crossed paths, even if only for a chance moment. Thank you New York, for all the moments you gave me.

As for this new beast, thank you too, for giving me every bit of anti-romance I need. For making it hurt and making it count. Beijing. You're just the pill I need, a pollutant down my heart, flooding my lungs and choking my arteries. Only, you won't kill me. You make me stronger, and brighter, and for that, I thank you, love you, and listen to Jonsi while dreaming.

Exploding City

I have no sense of direction in Beijing. There is no Empire State Building to direct me north or City Hall to the south. The skyline here stretches on for an eternity. Giant, homogenous blocks imprisoning so many human beings. You start to wonder what would happen if all the inhabitants start screaming out loud at that exact moment. Screams from anger, screams from stress, screams from sex, screams from pity, screaming laughter. You wonder if it happens at the same time, might the decibels shatter the buildings one by one by one, from window to floor to earthshaking foundation.

This is what I thought about when standing on the roof of non-descript building #143. It took us forever to figure out what direction our homes were because there were almost no topographic change from one direction to another. All I remember thinking was how great if all this would end in Fight Club style. I thought please let me take a stab at the fugly CCTV tower first. It looks like a bad dream from Vegas, lit up 24 hours a day without soul in it.

But there is a soul here, limping here and shining there, beating wildly, screaming along with the rest of us.

The other day my father said to me, his voice rising to a volume I'm unaccustomed to: "America is a much much better country than China." I was riding in the 144th taxi since moving to Beijing four months ago when I replied, "yep, I know, and?" My face felt like porcelain and my tongue automatic nonchalance. I think seeing beauty in an explosion of ugly is worthwhile. I think father knows best but this daughter is a lost cause, a zombie walking into chaos and feeding on it. I think all the dreams and frustrations this city carry really might shatter glass if we all screamed, and I remind myself that that's why I'm here.

I think it's funny how everything I write in here of late is an affirmation and explanation as to why I'm here. Don't worry about me. I'm just ecstatic.

The moon is being eaten, blood spreading across its face

Listen, I never thought the first lunar eclipse I'd ever see would be from Beijing — standing on cold, hard cement from a temple theatre in a Hutong no less. Later, when the long-haired man next to me at the bar said he'd seen too many eclipses in his life to get excited, the second-guessing began. Surely this couldn't be the first lunar eclipse I'd ever seen. Surely I was romanticizing it as I walked away from the lit up theatre into a darkness unimaginable in New York City and craned my neck until my head almost rolled off. Surely this was only the most beautiful eclipse I'd ever seen, framed by the oldest wooden theatre in China built during Kangxi's reign over 300 years ago. If my life were a wuxia movie, I would have leaped to the roof with dainty feet and scaled the city with the moon burning behind me. Ordinary me could only stare hungrily, dropping all 21st century pretenses. There were talks of omens and auspiciousness, but mostly, there were people unceremoniously dropping matters at hand and tilting their head toward the sky. What a scene we made, dwellers of the ancient city, gazing at an ancient wonder that so many hundreds of years ago would have brought on whispers of the moon being eaten, ‘blood' spreading across its face.

In Beijing, it's these moments of calm that move me. When all that is said and done — the traffic-fatigue, the concrete jungle, modernity chipping away at the soul, something manages to steal you away and make you wonder if there was something in your blood that steer you toward the moon, waxing lyrics like giant poets forgotten by time:

花间一壶酒,独酌无相亲。举杯邀明月,对影成三人。 月既不解饮,影徒随我身。暂伴月将影,行乐须及春。 我歌月徘徊,我舞影零乱。醒时同交欢,醉后各分散。 永结无情游,相期邈云汉。

-《月下独酌》【唐】李白

Rule #1: Talk to Strangers

Andrea wore a backwards baseball cap to keep her hair from falling in the sink while washing her face. After she's done brushing her teeth, she stuck her toothbrush in the back pocket of her jeans. There was an ease about her that was so undeniably un-Chinese that I found myself staring. When I struck up a conversation with her on the train from Beijing to Shanghai, it began with a statement in Chinese and ended with a question in English. We talked for a good fifteen minutes before introducing ourselves. Of the fifteen minutes, we spent most of it gazing into the moving darkness outside the window, at the hollow buildings and abandoned roads. The occasional night wanderer would stumble by our train car hallway, and we'd press our stomach against the cool glass to make way, still carrying on our conversation.

She talked about China as if it were a lover, a very physical being. The "affair" began, she said, back at home in Guatemala, when her family frequented Chinese restaurants. Her eyes lit up when she talked about home, how her whole extended family would crowd the screen when they talked on Skype, how the Chinese in Guatemala knew how to dance and move like a Latin-lover, how she was the black sheep in the family, never thought she'd end up here, and love it here, and extending her stay.

In Beijing, she took cooking lessons from a grandma in the Hutongs. She liked a dish that she wouldn't be able to find back in Guatemala, and so she was determined to learn it from the right people. The grandma took her to the market to select all the right ingredients before showing her step by step.

I don't exactly remember why she liked it here so much, but it was evident on her face, an excitement that I wondered might still remain on my own face. Everyday between staring at my computer screen and riding my bike I uncover a little bit more about this place. I'm untying it at the seams and hoping, starving, praying that I can become apart of it cotton and fabric.

I don't exactly remember why I like it here here so much. I figure if I ask enough strangers, I'll know one day.

The Supermarket

First it's the sound, the continuous buzz from the swelling crowd, the hollering from the fish, shampoo, cracker mongers, the giant speakers announcing sales, the flatscreens churning advertisements. Now add the tightly squeezed shelf displays, the overzealous use of color, the lack of typography, and even more ads in the form of posters and motion graphics, there you have the 21st century Chinese supermarket, a headache dressed as a "convenience store." Then there's little you, little consumer, with your giant cart, going down the assembly line, row after row, dodging carts and ladies with their sample teas and elaborate packaging like you're playing Katamari, and all of sudden you think Japanese.

You think of Murakami and his End of the World prose, like cold fluorescent light caressing memories as you wade through this Hard-boiled Wonderland. You recall your favorite Japanese grocery store on St. Marks, how you pause at the packaging because it uses all the right colors, in all the right combinations, and there's nothing minimalist about any of this, except it works, and there's care in all that noise.

When you trip back into reality, and again let the hyper-capitalism tsunami over you, you convert the scene into a MV. That's right, a fucking Music Video where the buzz becomes iridescent noise and the crowds a trick of time-lapse photography. You stand in the middle of this: frozen, prickly, unnerved,

Then you realize, fuck this, I have seen supermarkets where garlics bloom and gingers shine like fucking gold, where vegetables are piled high and mongering is an art. I have known a place where bicycles reign and middle age men drink on the curb in their pajamas in broad daylight. I have known a place that clearly only exist in my head, and everyone else must be crazy.

Lothlorien Beijing

If I don't focus too hard, that is, after I take out my contacts, wash my face, rub my eyes, and look out the big window from my bathroom at night, I see lights floating in the dark, like Lothlorien coming to life, a lumbering forest with lanterns walking toward me. In reality, that is, when I find my glasses, put my glasses on, squeeze my eyes a few times and look out the big window from my bathroom, I see high rise apartment buildings with their unblinking lights.

I wonder at times if it's the concrete, the malls, or the escalators that's making me see forests in the dark. Beijing is like a giant machine, its metallic heart rumbles and tin foil ears beckon. Every morning I trace a route of motor car, escalator, security check, subway, bus, elevator, office, mall, then office, bus, escalator, security, subway, mall, escalator, a long walk among neon lights. The office has become my home, the mall my kitchen, and my home my bed. It's all rock and grand and makes you feel like an abnormally small playing piece in a board game.

But there's a fragility in the grandiosity, a fear made of whispers, they say: the food is poisoned, the prices too high, the people are suspicious, and life is hard. I'm watching all this with my marble eyes, glazed and happy, and I wonder if they think I'm a little sick voyeur, watching, waiting, bating.

It's hard to say, but I'm pretty sure that Beijing, well, she's just exactly the opposite of Lothlorien, and so she should be, so she should.

The grass is always greener...

...elsewhere. 1) A 21-year-old boy from Barcelona is traveling the world. He says, in my country, if I go to college for four years, I'm going to end up with a job as a cashier. So instead, I'm going to travel around the world for five years. I was in London before, and now this is my fifth month in Beijing. I like it here. People care more about each other here, not like Europe, there people are more selfish.

2) A Xinhua reporter once based in Pakistan and Afghanistan says, it's not what you imagine to be, with bombs dropping everyday and fear pervading every corner. I'd much rather live over there than in Beijing. There's too many people, too much dust here.

The solution is to always be on the move, always see more of the city, the country, the continent. Always have two worlds in your hands. Always have guts, like boys who run from college for the world. Always put yourself in uncomfortable situations. Always eat whatever's on your plate.

Devour that durian, dammit.

Cranes, trains, and aims

A friend long ago told me once, “I drove by a hollowed out building tonight, and thought of you.” He was referring to a non-specific building on a non-specific roadway into Columbus, Ohio. The building was halfway demolished, and under that precise orange glow of American street lamps, it must have looked a bit otherworldly, a little breathtaking. Here on the other side of the world, construction cranes groan into the dead of the night like creatures from the abyss, unnerved and persistent. I must have stood in the rain for minutes, surrounded by posh apartment towers in front of a construction site operated by ghostly hands — hauling metal, dropping bricks, grinding dust. It's eerily beautiful, accidentally mesmerizing, or as a friend long ago may understand, I just have a thing for unfinished and/or half demolished buildings. I love the lightness of a massive, skeletal frame, love the unpolished cement gray, and if such a love could endure, I'm probably in the right place.

In China, gray buildings rise like rows of tombs, somber and sad. For every block erected, dozens more fall. It is a place where majestic cranes rule, their long arms reach out, like overseers to a brighter future. After thousands of years, China is extending the Great Wall by crafting towers, roads, and bridges in that same shade of gray. There's something apocalyptic about all this movement, and yet, behind the frenzy, a stillness, more serene than any Times article can prescribe, is here.

Finally I can think.

Dispatches from Beijing

Let’s be honest, there’s nothing poetic about Beijing. It’s as if a giant octopus lay down and died here, its tentacles then forged into great concrete roads, overhead passes, and more formidable looking blocks of government buildings, malls, and office towers. Man is dwarfed here by the length of the avenues, the endless stream of cars, and the incessant beckoning from red banners that seem to shake you by the shoulders: “stand up for a new generation of civilized Beijingers,” “strive toward a harmonious society.” BE HAPPY, the banners shout, for god’s sake, be happy. For once, I feel beleaguered by the sheer volume and noise of things. A funny feeling for someone from New York, New York, where everything is packed down to an atom, overreaching in density. But on the third trip back to China, I did not leave from the hills of Ohio. New York is in my blood, and I see everything now with my Broadway Layfaette lens and Sunset Park heart. Only a week ago, while watching the cityscape unfold from the N train: Brooklyn Bridge, Chinatown, people from all over the world, did I ask myself, do you know every nook and cranny of the city? Do you know its every contour, every hidden cul de sac, every line of division, all its history. Are you really leaving the city that breathed life, love, and audacity into your very being?

(Pause for an extended “I love you, New York” moment.) But yes, I suppose, I guess, I _know_: I wouldn’t want it any other way.

On the third trip back to China, I am no longer wide-eyed and ecstatic, but rather, hardened by expectations. Places have always excited me, but that excitment I had/have for New York, in the end, slowly chiselled an armor for me, where I focus on my iPod, iPad, iPhone, iLife as opposed to strangers making small talk on train. I’m not sure when the infatuation stage ended, when we settle into the mundanity of everyday life, when cities lose their splendor, and strangers no longer a potential friend.

This was the armor I wore on a flight to Beijing, and that was the reality I was ready to smash. In China, everything disarms and unsettles. On the flight, I listened to kids next to me having a spirited discussion about China — its economy, its politics, its shortcomings, its accomplishments. The conversation concluded with a proverbial statement: if you don’t have what it takes to leave, then you’re stuck with it. (没本事出来,只能憋着). This is the irony, I suppose, confronting all of us “sea turtles” who make the decision to return.

Yes, with regrets, and yes, with greater audacity, and yes, with a touch of madness that I need to confront a wholly different concrete beast.

Beijing awaits, I hope, in all her foggy splendor, with all her strangers.

Here’s an effort in better record keeping.

DAY 1: Friday, August 26

An acquaintance, friend of a friend, became a friend on the flight from Chicago to Beijing. I considered this somewhat of a serious karmaic mind fuck, and cautiously believed it an auspicious start for my voyage to China. Not only did we end up being on the same flight, but getting a seat next to each other? Freakish. All this in the back drop of an incoming hurricane hurtling toward New York City that I somehow managed to avoid, Godspeed.

I kept on sitting next to all sorts of interesting people. In the waiting room in Chicago O’Hara Airport, two Chinese men, one in his fifties, one in his late thirties, were, of all things, discussing the merits of The Dream of the Red Chamber. The younger one claimed that there were simply too many characters in the classic, and that it was a useless read and not applicable to contemporary life at all. He then went on to cite an even earlier classic, Outlaws of the Marsh, and one of its many, many characters, Song Jiang as “just like a contemporary government official, always courting favors with people.”

The older man then patiently extols the values of Red, its deep symbolism, the vast fabric of relationships and customs that still remains in modern China. Of course, then a three-year-old boy from across the aisle would make an attempt to climb on the old man’s knees, and as the mother frantically apologizes, the old man patted his knees and says, “no worries, no worries, let him climb on.”

For the next ten minutes, I watched the old man help this kid climb on his lap. The kid would stand proudly on the old man’s lap, his chubby arms stretched out like a superhero, then the old man would help him down, only to have the him climb back up within seconds.

“Not afraid of strangers at all, this one,” the old man beamed to the boy’s mother. “It’s good to be so mischievous now, but when he has a mind of his own, then it’s trouble. Children are at their most innocent now.”

So said the walking sage, who, as he helped the superhero down once again, made a sound of a happy yelp.

DAY 2: Saturday, August 27

China is still very poor. With all the focus in the western media on Chinese optimism, Chinese efficiency, that debt we owe the Chinese, it’s easy to forget how poor it is. It’s a type of poor that most Americans cannot begin to imagine, a deepest kind of poverty that goes beyond food stamps and panhandling, a kind of poor that you can feel, see, smell on a morning walk in Beijing if you know where to go. In the crevices of all these grand new developments, parts of Beijing still looks like a village.

China is also very rich. On my flght back to Beijing, I sat next to a group of 7th graders who just returned from a visit to America, a grand ole tour that included several Ivy Leagues and major cities. The kids holding iPads on one hand, iPhones in the other, and a Nintendo DS in between told me last year they went to the UK, to visit Oxford and Cambridge, and all this was organized by their private school in Beijing. This in a nation where the average worker in Beijing still only makes around $400-$500 a month, and that’s Beijing.

DAY 3: Sunday, August 28

First full day in Beijing, it felt like I was only waking up. Now a foreigner, I spent a good full day attacking errands, trying to piece together a new life: getting a new sim card, re-activating my bank card, getting a new subway card, registering within 24 hours at the local police station, where the officer let the phone rang for a good twenty minutes, and never picked it up.

Efficiency, just lovely.

Saw Rongrong, her story is complicated, something to file away. Saw Fanqie, she recently lost a financial analyst job due to instablity in the American market, and a boyfriend too, due to Chinese dudes who need to man up, but that’s another story.

Fanqie said, “you’re more mature.”

The Confucian inside me automatically retorted, “I’m just old, that’s all.”

Fanqie makes a fake angry motion at me, “if you’re old, what am I, dear girl?”

I love this girl. Her hair’s grown out to her waist, and it’s a beautiful curtain of black that she likes to joke, “would be great for a hair commercial if they only shot it from the back.” I don’t know how many times I’ve told her she’s a gorgeous girl, and that if she were in America, she would be snatched up so quick. Then I remember myself, this ain’t America, this is a place where dudes need to man up, but that’s another story.

Beijing, Beijing

My one-liner assessment of Beijing since being back has been, "Beijing is becoming a giant concrete mall." In so many more words, the buildings are stumpy, the streets are wide. The wide (and looong) streets don't help the incessant traffic, nor do they aid the pedestrian. The pedestrian now thrives between mall A and mall Z, but not in the hutongs you'll find in the newest Karate Kid. No, in fact, Chinese developers were known to have said "I'll bulldoze the Forbidden City if I could make money. It's prime real estate." My architect friends lamented about this over the weekend. Unfortunately, it wasn't the first time that someone has lamented to me about poor urban planning in Beijing. I believe it was a taxi driver back in 2007 who first told me about Liang Sicheng, a famous Chinese architect (and incidentally, Maya Lin's uncle) who wanted to preserve Old Beijing:

From wikipedia: ....With such a deep respect for tradition and the nation's cultural heritage, Liang came up with his biggest ambition: preserving Old Beijing in its entirety. Under the Communist government, he was named Vice-Director of the Beijing City Planning Commission. In his early recommendations for transforming Beijing into the new national capital, he insisted that the city should be a political and cultural center, not an industrial zone. He later put forward a proposal that a new administrative center for government buildings with a north-south axis be established west of the Forbidden City, far away from the Inner City. He also advocated that the city walls and gates be preserved. He even published an article entitled "Beijing: a Masterpiece of Urban Planning", hoping to win the support of the general public. Very regretfully, these dreams of Liang were not realized, ending only in frustration. Despite his best efforts, most of Beijing's ancient gates and city walls have been torn down, depriving the world of a spectacular example of cultural history.

Liang's name lives on in China today, but his legacy is more ellipsis than period. It seems to be a common trait of the famous and influential in China --- Zhang He, Lin Zexu, Baogong, Deng Xiaoping, Mao --- they were giants, and they embodied all that was wrong. Zheng and his treasure fleets, Lin Zexu and his lost Opium war, Baogong the uncorruptable, Deng Xiaoping and his Tiananmen, and Mao, well, and there was Mao. It's all the flawed men when you simply need a Washington, an Edison, a Jobs.

But no, if history books reflect the truth, Liang Sicheng will be remembered as the man who tried to save us from ourselves, and failed. So it plays on, 5000 and one year later, we are still hellbent on destroying and making, making and destroying. We will not pause. We will not reflect. We will rise and we will fall, and we will rinse and repeat (and our soccer team will still suck). We are not the French, and we are certainly not American. We will keep on building --- Great Walls to Great Fire Walls. We will keep on re-writing. We will keep going, and that is all fine and good, and that is all great and well.

Because you see, to me, Beijing is nothing more than a love story. Perhaps we all find that beyond the exteriors of a city, what moves us about a place are the people. So be well guys, be well.

Olympics Park

Day trip at the Olympics park, where we all got a little tanner despite a hat, sunglasses, and an umbrella (because it was raining yesterday) ensemble. It was hot. It was bright. I want my smoggy, cloudy, egg yolk sun back instead of swimming in a sea of sun umbrellas on a 90 degree day at the concrete jungle that is the Olympics park. So story is, nobody can get close to the Bird Nest/Water Cube/Olympics Park in BJ these days unless you have a ticket to a game, were lucky enough to covet a “tour” ticket that was given to specific companies, or like Rong&I, knew a friend who worked inside who knew somebody in charge of letting people in. To be honest though, the park was a bit of strange experience, a hybrid of commercialization, mediocre sculptures, and one of the biggest McDonald’s I’ve ever seen. We spent the morning visiting a bunch of exhibitions: China Mobile, Johnson&Johnson, Volkswagon, GE, and apparently Coca-Cola has a sweet exhibition but lines are mile long. The day that people start lining up to watch commercials and sweet waterfalls that spell out things like “WIND WATER FIRE METAL EARTH…. GE.” It’s pretty ridiculous. In fact, I don’t know how I feel about this at all.

All in all

to be very honest

I think I may have overdosed on the Olympics

Rong

GE building

That is, GE is imagination

The GE watercube

The FUWA parade

Rain on my parade… ICE ICE baby

Fire baby

Yep, those are plates they are spinning.

Shield me from the sun…

Little nests… big nests…

To be frank, the Bird Nest is quite the monstrosity up close and personal.