Magical Intersections

I used to sit on a stool in the kitchen of our tiny one bedroom in Brooklyn and I'd think about Beijing. I'd stare out the window and see our neighbors' drawn shades. He'd be asleep and I'd be up early staring, crying, and feeling the urge to go back to China like a fist was climbing from my stomach to my mouth, ready to punch. Most of the time I thought about Mao Mao and Rong Rong and our life in 2007 which I sufficiently dubbed as "the greatest romance of my life without me being involved romantically." That's kind of a romantic notion in itself, no? That two people in love somehow like you enough that they'd include you in their story. We'd gone to the Great Wall and Mongolia like lonely soldiers in the dust, and they, they were the most beautiful kids I'd ever known. It was hard that when I finally clawed my way back to Beijing to see that love gone, and in its place, wounds that could never quite heal. I find that I can no longer love cities for the people. I find myself thinking instead of intersections and structures that don't shift or morph. There's beauty in the fragility of human emotions and relationships. The fabric of relationships we build can so easily be ripped apart, but Mongolia will always live within me. So too, will friends in New York who move on, so that when I return, I will only have a shell of New York made of memories. The moment when Sasha and I stood at the promenade and declared we were going to live in New York City. Sitting at the steps of Five Pointz with Rob talking about poets. Having lunch at Herald Square by the Empire State Building and feeling like you have the world in your hands. Walking from Bronx to Battery Park with Ari and Chris. Walking the High Line with Louisa catching up on 10 years of life and seeing in her eyes how much we'd both grown. Meeting gorgeous strangers in subways who mouth their name as you exit, "Romeo Alexander." Romeo fucking Alexander because that was the type of name that didn't need a phone number attached. Meeting Aniko for Coffee. Meeting Stephanie for dinner. Meeting Yunlin for art exhibits. Clubbing with Jia and the crew. Going to Xibei's parties in Roosevelt Island. Walking the length of Sunset Park with Bryan.

When I go back one day, half of my friends will out of New York. So I focus on intersections instead. I ask, "How's Houston doing?" and "What your favorite street?" I have a drifter's instinct and alleyways move me because they are cement, immutable as the earth.

We learn to love a place when we leave it. Love it deeply until its image is a scar in our heart, and that's the way it should be, New York. You will always be the greatest love of my life. And Beijing, I'll let you know what you are when I leave you, but for now, I'm in love with your every flaw.

Quite Ok

I did three things today. 1) Instead of re-writing the personal essay for son of family friend, wrote a 500 word email advising him to BE UNIQUE, BE SPECIFIC, BE PERSONAL. He responded with much better essays. Cute kid.

2) A walk in the park at 7AM, because blue skies are damn hard to come by.

3) More meetings, more talk of partnerships, collaboration, better management.

Lessons distilled.

I like giving. If there is any reason to get better at what I do, it would be to make others happier, make life easier. It's one thing to wage revolutions in the abstract sense, but another to see immediate changes in one person, one office that you affect. If I could keep doing one thing, it would be to give all that I have away, not that I have a lot to give, other than an ear ready to listen and an open heart, but I do feel lucky that I appreciate the act of giving.

On top of Jingshan park on a clear day, I feel ready to give myself away. To fly into the Forbidden City and disappear, not exactly in the suicidal sense, but the feeling you get when your flight gets super bumpy and you're sure you're going to die and think: well, if it comes it comes, I've given it my best. There is a lot more to do, to be sure, but if it's over, that's quite ok too.

How China is Forcing Me to Get a MBA

I did three things today. 1) Sent boss/partner a 60-page slidedeck on systematic/management changes I want to bring to my current company. 2) Refused a powerful family friend's request to basically rewrite her son's personal statement to colleges abroad. 3) Told a well-connected Chinese friend straight up that I don't "chat" on weixin, only make appointments, confirm appointments, take care of time sensitive matters. If you want to have conversations on the topic of "do you find it meaningful to be in China right now?" Please, let's make an appointment for coffee.

Only in China. All this talk of "be the change you want to see," I'm doing it because China's is forcing me and because, this place doesn't owe us anything. That's right, anyone who comes to China and complains about China and how hopeless this place is, guess what, China doesn't owe you anything. If anything, China owes itself a lot, so instead of complaining, be the change, or don't and get out while you can. Because if you are just here to make money, instead of make meaning, in the end you will only lose your soul, your heart, and your basic happiness. So if you're a writer, write, write about specific things through your very specific lens. If you're a manager, manage, and create a better system at least within your internal organization if you can. If you're a filmmaker, film. If you are a lawyer, uh... well... fuck, good luck.

That is why I spent a good part of my month/weekends basically researching and preparing for this presentation. No, to be honest, I feel like my whole life I've been preparing for this. He will tell me that I'm idealistic, that things are just the way they are here, but I believe, I'll tell you what I believe, I believe bad management is bad management, in China, or anywhere. So I'll make my case, I'll make it until I bleed, and if it doesn't work out, I'll walk away from the money, and the power, and I'll go where I'm needed, because that is the only reason why I'm here: for the stories, and to contribute in some small, minute, and wild way.

If you don't have a ridiculous dream to guide you, then I don't know what you have. Money will come. Money, as long as you have enough of it, don't even matter that much. Dreams, friends, relationships, health, stories, integrity, principles, efficiency and being straightforward, these are what guide me these days.

I feel anchored finally by an internal compass made of moral integrity and an emotional instinct, and that is a good place to be.

One day I will leave this place, just like one day I will probably leave my next place, but I swear, before I die, I will treat everyone, every place, with the same regard. These smog days are either gonna make us suicidal, or we'll turn it into kickboxing anger. Anger tamed by direction is energy.

Thanks, you crazy place. Who would have thought it takes a China to make me want to get a MBA?

I get what my mentor Liz meant: I'm not busy, I'm only EXCITED.

New York

K. I miss New York. I miss certain intersections at 4AM. I miss the Calvin Klein ads on Broadway. I miss biking down Fort Tilton. I miss BIKING in New York City in general. I miss tacos. I miss Shake Shack. I miss 21st Street. I miss 43rd Street. I miss Sunset Park. I miss Trader Joe's. I miss Roosevelt Island's summer parties. I miss parades. I miss the Frick Museum. I miss the Met. I miss the Met's free outdoor opera screenings in the summer. I even miss going out at Meatpacking. I miss Apothecary. I miss Flushing. I miss the ride from Brooklyn all the way to Flushing. I miss Farmers Markets. I miss Restaurant Week. I miss black people and latinos. I miss walking from the Bronx to Battery Park. I miss that walk with Ari and Chris. I miss Ari. I miss that Hostel. I miss the Italian boys at that hostel. I miss escaping to New York every Spring, Winter break I had. I miss parties at warehouses. I miss Albeena in her craziness. I miss Greta's ghetto house in her ghetto Bedstuy Hood. I miss Red Hook lime tarts. I miss Jia's upper east side apartments. I miss cheap Broadway shows. I miss the New York public library. I miss Bryant Park. I miss the public restroom at Bryant Park. I miss Cafe Grumpy's. I miss flower shops. I miss K-Town. I miss bread. I miss mini-cupcakes. I miss getting kissed by strangers. I miss the romance. I miss weird spaces. I miss really weird kids. I miss weird. I miss weird friends. I miss New York weird. But... I'm glad I'm here for now, if only to accumulate more miss.

The world is too big to only miss everything above. He says, "life is an experiment." I say, "life is a novel." Experiment dictates some right answer. A novel, I say, only means "I'm looking for good stories." That is why I'm here. That is why I do certain things, get involved with certain people, live a certain path.

I, do not seek happiness. Happiness is complacency, and at uglier moments, selfishness. I, seek for meaning, to contribute in some small way to this big world, and hope that in the process, this happiness will inevitably come. I, probably will get lonely at the some point from all this reading, studying, and working, and that is okay, as long as in the end, the novel you've written is one where you've taken leaps and bounds.

That is why I miss you New York, and I'm glad I left you.

This Money Game

Well, after all the "save the world" talk, after the idealism, systematic changes, "getting to the root of the problem," "being a game changer," I am met with the sinking feeling that I'm only human. Smacked with cashmoneycash, where do you idealism run to. Life is only a game of decisions. We choose jobs. We choose loves. We choose friends. We choose paths. The sheer weight of decision-making I have to perform in the next three weeks is a burden on my back, not for the luxury of having choices, but the fear that I'm losing myself somewhere along the way, that one day I'll wake up and become the machine that speak in strategy and lose sight of something meaningful. I came to this place to effect change, but in the end, maybe it'll swallow me whole... Validation of ability, yes, yes, but if I do it, if I do it, I will not give up on systematic changes. I WILL NOT. I WILL NOT. I will not sacrifice my integrity, and I'll tell you why, because I had the honor of working for Liz Danzico, and I know what people in a good systems can do... and I refuse, I absolutely refuse to believe that China cannot nurture such ecosystems.

Now the questions is just, to make something work better, or to create a new order? Management, not a easy thing.

Optimized Schedule

I love my fantastic new schedule. YAY LINE 6!

Weekdays 6:30AM: Wake Up 6:45AM: Study: Biz/Design Strategy 9:00AM: Work out 9:45AM: Cook 10:15PM: Out the door! 12PM: Lunch at work 6PM: Dinner at work 8:30PM: Leave work 9:30PM: Write in journal (pen and ink > blogging) 10:00PM: Work on one of your many writing projects 12PM: Sleep

Everything that is wrong with 5AM

Sometimes you meditate on Philip Glass/Beck remix. You wake up at five and stare into the eternal darkness waiting for the sun to grow up. It's a different type of darkness than the one at eleven at night. Ruled by the moon, that darkness is made of secrets, romance, and insecurities. I like a taste of both, but because five is so rare, I appreciate it for its lack. Lack in Awareness

Unfortunately, I find it difficult to write a love story at 5AM in the morning. 11PM, preferably with smoke and with whiskey and preferably with me not intaking either but surrounded by those substances is much easier. What with all this talk of discipline and focus, inspiration gained from a particular ambiance is hard to come by. I'm not sure how to cater to both the disciplined, OCD freak and the occasional artist. Are those things inherently contradictory? Must we do mushrooms, drown ourselves in music all the fucking time, smoke, have a messy room in order to perform as normal artists?

Maybe. Now that I'm such a functional adult with meticulous goal setting schemes and reading books about management, occasionally I miss my thoroughly unabashed emotional self. I'm experimenting with how to reconcile both of these identities, so that the one feeds off the other. To be inspired, always by words, and to persevere through discipline, goal setting, timelines.

Lack in Heart

The worst feeling is to feel embarrassed by what you've written. I might be the last person who keeps a blog, but I will always be a diarist who "puts things out there in the void." Through writing do I organize thoughts and condense them to a sense of direction, to instill meaning in a present moment that would otherwise mean nothing. Problem is, the heart doesn't wake up until sunset, and at 5AM, the mind takes over with its point and lines. It is systematic. It is goal driven. It is a new day. It is perspiration without inspiration. The heart doesn't catch on until late.

Unfortunately I really don't want to switch my schedule to the night owl.

Ugh.

Discipline, Purpose, Joy

It is fairly impossible to fit work, exercise, and novel writing in this life. Which is why I will have no life. Say it with me, no matter what happens, be in bed by 11PM, be in bed by 11PM, be in bed by 11PM. Focus and Endurance. FOCUS AND ENDURANCE. FOCUS AND ENDURANCE. Weekdays 5AM: Wake Up 5:30AM: Work on novel 8AM: (Mon, Wed, Fri) Work out 9AM: Eat breakfast, shower 10:15AM: Leave for work 12PM: Lunch at work 6PM: Dinner at work 8:30PM: Leave work, get grocery if needed on the way back 9:30PM: Get ready for bed 10:00PM: Read, preferably fiction 11PM: Sleep

Saturday 9AM: Wake up 9:30AM: Work on novel 12AM: Lunch 1PM: Read or go out and play, while doing laundry 6PM: Go out and see your friends

Sunday 9AM: Wake up 10AM: Clean! 11AM: Cook lunch, maybe dinner, and for the rest of the week maybe 12AM: Lunch 1PM: Read or go out and play, while doing laundry 6PM: Go out and see your friends

You Wanna Be One of Them

The songs that made 2012, in review, because life is much easier measured by song.

LOVE

É isso aí, Ana Carolina & Seu Jorge This Must Be the Place, Talking Heads Sail, Awolnation Imagine, John Lennon Free Fallin', Tom Petty A Juicy Intro, Notorious B.I.G + The xx Home, Edward Sharpe and the Magnetic Zeroes You Always Hurt the Ones You Love, Ryan Gosling Circle Married the Line, Feist Caregiver, Memoryhouse Benediction, Thurston Moore Oh My Love, Riz Ortolani Basic Space, The XX My Valentine, Paul McCartney

TOO MUCH OF A GOOD THING

Mr. Rager, Kid CuDi Pursuit of Happiness, Kid CuDi Soundtrack 2 My Life, Kid CuDi Caps Lock, M.I.A.

PARTIES

Good Time, Crystal Castles Magic Spells, Crystal Castles Polish Girl, Neon Indian TiK ToK, Ke$ha A Mind I Knew, Suckers Lifted, Lemonade Kill for Love, Chromatics 100, Keepway American Mourning, Bikini I Could Go, Oberhofer Snow & Taxis Icarus, White Hinterland Hoppipolla, Sigur Ros

LOVE LOST

Summertime Sadness, Lana Del Rey Sunset, The XX Somebody that I Used to Know Kids Aflame, Arms Angels, The XX The Way It is, Nicole Atkins

DON'T THINK TOO MUCH

By This River, Alva Noto + Ryuichi Sakamoto Agoraphobia, Deerhunter Born to Die, Lana Del Rey Video Games, Lana Del Rey HEART, Oberhofer Chinatown, Destroyer 花鸟风雨 (Album Mix), ケツメイシ Heart Skipped a Beat, The XX Love More, Sharon Van Etten

BIKING

Night Call, Kavinsky Under Your Spell, Desire A Real Hero, College Feat. Electric Youth 80/20, Tape Deck Mountain

WORK

Wonderful Life, Smith and Burrows The Model, Kraftwerk Who Do You Love, Museum of Bellas Artes Agoraphobia, Deerhunter vacation of god 神様のバケーション, Tyme. x Tujiko Playing House, Active Child A Song for Dreaming, Judson Claiborne Swerve.... Snabazz Palaces 生之爱, The Gar

FRIENDS

Bad Girls, M.I.A. Oblivion, Grimes Oxford Comma, Vampire Weekend Kids, MGMT Islands, Nujabes Enter the Ninja, Die Antwoord My Dick, Mickey Avalon Congratulations, MGMT 圈,The Gar

Celibacy, Thank God

After some rather serious admonishments from friends in deadpan voices: “Maybe you should try not being with a guy for a while…” here’s something to celebrate: I have not been with a guy for three months and six days. This could be a dangerous streak, because it feels like it’s only been two months and six days, but on counting, it’s been a season, a full semester, a fourth of a year already. In the grand scheme of always having someone around for the past five years (one serious and a few too many tumultuous ones), this is interesting. Here are twelve revelations upon regaining singledom.

1) This is learning that you like to cook and have a penchant for cleaning and re-arranging, maybe bordering obsessive-compulsive... 2) This is truly appreciating the silence, the minutes of waiting for that toast to pop up. 3) This is spreading the jam, as much jam as you want on that toast. 4) This is not always gossiping about men troubles with your girlfriends because sorry love life non-existent what else do we have in common? 5) This is actually having guy friends. 6) This is not having sex because what with the before, after, emotional in betweens, and "let's not put a label on this," it’s a serious time eater and you'd rather read War and Peace so that it feels like you’ve actually conquered a milestone in your twenties. 7) This is having no guilt about being a workaholic. 8) This is having no guilt about hanging out with your friends and flirting around. 9) This is becoming the girl not answering emails or text messages and being totally irresponsible and maybe kind of mean but better than the girl who waits for that godforsaken text message. 10) This is getting to watch whatever the hell you want, which, incidentally, is neither art house nor action comedies. In fact, you discover you only have enough patience for apple.com/trailers. 11) This is waking up early and blasting music from the "Baller" Songza playlist instead of tiptoeing because apparently no one gets up early to appreciate the beauty, the absolute beauty that is the rising SUN. 12) This is about selfishness, and embracing every soul-searching minute of it.

Enjoy it while it lasts, or until cats stop following you and vibrators fail you.

The Unbearable Lightness of Being

"Sometimes I hear myself speak Chinese, and it's like who is this person? I've crafted a version of myself in the past three years. At least you belong here in some way, I don't. I go through moments where I think, what am I doing speaking Chinese and dating Chinese girls? How did this happen?" "It's like I've finally secured a spiritual base, only to realize it's build on..." "...sand." "Sand, and it isn't real. This place isn't real."

Yet, what is real? If not this place where I've lived, worked, completed projects, kissed, cried, burned bridges, torched moments, then where else? Where else? Dear friend. We've prided ourselves on having the audacity to cross continents, to embrace a place so different from the soil we stood, yet all of a sudden, the shock of it all shook us at the core.

"这一切都是虚的。”

"Have you read Murakami's 1Q84? It took me two years to finish it. 1Q84 is a world with a complete different set of rules and constructs. It reminds me China, somehow."

Nothing like a last minute existential crisis on top of everything. The silence between is suffocating because there's so much to say yet there's nothing to say. You laugh and say, "I think I've figured out what our disadvantages are. My problem is I'm not you enough, and your problem is you're me not enough." In my addled mind filled with expensive drinks, I think, that almost almost sounds you and I complete each other. That is where we started from, but in the end, we end up not as 青豆 and 天吾 looking at two moons. This revelation is not filled with hope, but some dangerous taste of being on the wrong track of the wrong train going in the wrong direction on Mars.

Mars.

But what if we choose to believe in 1Q84? What if there are realities beyond New York City, Brooklyn, overpriced apartments, brunches, and graduate degrees from self-affirming institutions. What if choosing the right way doesn't always mean what other people are doing. What if 青豆 and 天吾 needed 1Q84 to find their greater happiness, and that when they were ready to leave it and face a world of order, where everything stands on concrete, they might break apart in some other way, shape, or form? What if this is the only place that's real because nothing here, not your boss, your colleagues, your friends, or your lovers are real and that you must take all this on your own, your whole self, bare and alive and true.

The whole world might turn upside down and shake you to the core, but remember what you stand for, remember that at the end of the day, all that is real is what you believe in, and those beliefs aren't based on others you love, but only yourself. The greatest battle are fought inside your mind. Conquer yourself first, and whatever 1Q84 or 2013 may bring, oh let it come with the ferocity of great cannons, for I will not be beaten down, here or anywhere else.

The North Drifters

Winter 2006, Doro It was the era of Carsick Cars, Second-Hand Rose, and Queen Sea Big Shark. The names ticked off without any meaning to Rong. They were garbles syllables in Chinese or their English incarnations. Big names that tried to say too much with opaque metaphors. Cars that vomit. Roses from second-hand loves. Sharks spotted in Houhai. It was all a new world to her, a world filled with rocker girls in leather boots, skinny boy vocalists with stiff shoulders, cross-dressers in red qipao — what a world for a girl who came from a small town outside Dalian.

Rong didn't know about any of this until she met Mao, and she fell for him when she watched him shake hands with the vocalist from Carsick Cars and they shared a cigarette in silence. Mao was the quiet type, but even quieter was this vocalist (except when he's channeling Thurston Moore's love child in his diaphragm). The entire time only a few words were traded in the castle of smoke backstage, but the rapport was evident in their every nod. If Mao had spent more time on playing the guitar instead of video games, maybe he would have been in Carsick Cars too. He certainly had the pretty boy looks for it — side-swept hair and huge, innocent looking eyes that gazed at you with the patience of a newborn.

This became the Beijing she knew. She was one of the beipiao kids, the north drifters. Kids with a past to overcome trying their luck out in the big city. She'd come to the city to audition for admissions at the prestigious Beijing Film Academy. Somebody in Dalian once told her she moved like she had a story to tell, that her eyes had the depth of an old soul. She rode the train all the way to Beijing for an audition, staying with her childhood friend, Doro. Instead of getting into the school, she met him.

Doro loved him. Rong could tell from the way she first introduced him. There was a nervousness in her nonchalance that was endearing. Doro had a big laugh, big boobs, and a big heart. She moved away two years ago and kept in touch by writing postcards instead of emails. From Doro's postcards of Beijing, Rong learned about the hutongs that were the dying arteries of an ancient city. She hung every postcard she received in mosaic form on the wall in her room, and vowed she'd get to the city one day.

Doro and Mao were in a band together. She played the keyboards and sang. He was the guitarist, and their friend Liang played the bass. Doro and Mao were a funny match. She was a ball of energy punctuated by fists punching in the air, rude cursing, and yes, the peels of laughter that would always burst from nowhere and tackle you hard in the stomach. Mao spoke in a monotoned voice and preferred monosyllables. It was difficult to tell when he was excited or stressed because the pitch of his voice would never change. He talked more when he got more comfortable. In fact, when he had something to say words fell like chalk dust from a black board and went on and on like he was conducting a lecture. When Rong noted this, Doro explained that Mao's father was some famous professor of history at Beijing University.

"And you're sure you're not together?" Asked Rong.

"No," Doro's voice jumped an octave. "NO! We're like, super good buddies."

Rong recognized the layers of emotion in Doro's voice but couldn't do anything about it. For some reason Doro was resigned that she and Mao couldn't, wouldn't, and shouldn't be together. For god's sake, he was, well, skinnier than she was, and such a bleeding heart they would just curl up in a ball of pain and never see daylight again and what kind of boy is so in love with Björk that he's been saving up for a trip to Iceland, and has a MSN handle ReykjavíkMao? Honestly. They worked well together, musically, that was all.

Rong bit her mouth and swallowed the words she held at her throat. Doro didn't believe in it, but she was good for him, they were cute together, and her ball of insanity may be just the right amount for his melancholy. Rong knew all this but couldn't bring herself to say it out loud, because Mao had looked at her for the first time the way the man who told her her eyes were those of an old soul did. He was Mao Mao and she was Rong Rong and that was that. Within the week he took her to every live house show in the city and his grades started dropping faster than Beijing's temperature during a ruthless winter. He left nonsense on his tests with answers like, "Dear Professor, I'm really sorry but I think I'm falling in love with this girl and I just gotta spend more time with her and I just didn't have time to study the material. I just gotta be with her."

Her audition to the Beijing Film Academy didn't go so well. The girls there were more beautiful than she and knew how to put on makeup and carry themselves like graceful swans and cite roles from their private acting lessons. Years of summers spent by the beach had given her skin a permanent tanned glow that all of a sudden made her feel like a country bumpkin. When she escaped the hot lights, she went straight for the McDonald's outside the school where Mao was waiting for her in a booth. It was the end of fall semester and everyone seemed listless around them, but when she laid her head on his lap the world stood still on a pin as she whispered: "Time to go home."

He petted her long hair until she could have fallen asleep right there in the afternoon sun. When she opened her eyes again he'd taken her hand into his coat pocket and they walked on like that for what felt like miles. Neither of them proposed to take the subway or taxi. They simply walked, on and on, even as the sun dipped to the horizon and slid away like a cold orange yoke. They didn't say much other than she: "it's cold, how could this city be so cold when it's snowing?" and he, the Shanghai-born Beijinger who grew up at the foot of the Forbidden City, "this is the coldest winter in my memory."

Snow crunched beneath their feet, but other than that, the night was quiet. They had taken a route through the Hutongs to get to Doro's place. Mao walked on as if he knew the labyrinth of hutongs by heart. Rong followed him, head down, hand still in his coat pocket. She thought about booking a ticket to go back home. She thought about the 10 hour train ride on her own, the smile on her parents' face to see her back for the New Year, but she could only feel the sadness. So that was that, her grand beipiao plans thwarted in three weeks. She knew in her heart that she didn't get into the Film Academy, but what will she do when she gets the letter in the spring, when fate stamps failure so ruthless onto her, followed by naivete, don't forget that, and what of Mao, what of this boy that she spent every waking hour with in the past three weeks, who was he really and what were they other than a torched moment in the frigid winter?

They arrived at the Drum & Bell Towers, her favorite place in Beijing so far. He'd taken her after the Carsick Cars' show one night and her heart instantly felt at peace. Regal and magnificent, the Drum Tower emerged like a gray whale from the night. Around them, construction cranes poked into a sky where a Hutong neighborhood was circled off to be redeveloped. That one night she'd told him everything about her past — how she grew up in the village and her family had always lived very frugally, how her father went into the shoe business but figured out that he could make more money by selling the shoe storefronts than running the shoe business, how by the time she was twelve they'd moved into a big, fancy apartment in town, how she was favored more in the family than her younger brother, and instead of putting herself through the grueling college entrance exams in her third year in high school, she went ahead and fell in love with an older man. The older man turned out to be married with a kid. The relationship destroyed her. She couldn't even finish high school.

At nineteen, she didn't know what moved her to tell her story to this boy, with his seemingly perfect life, the scars of her past. She could have simply ridden this fling out with the less jaded, more desirable version. She was the daughter of a small town nouveau riche, a fuerdai with the big dreams of making it in the city. She could speak English nearly fluently from watching a lot of Spongebob Squarepants. She would give the shirt off her back if she could to someone else in need. She was simultaneous a woman beyond her years, and a girl, just a little girl.

Just like this night, they spent that night walking through the endless alleyways of the Hutongs as she told her story. As they passed street vendors and family restaurants, there were stories that she hadn't even told Doro, and in the end when they made it to the square between the Drum & Bell Towers, she thought for sure she'd gone and scared the him away. Instead he kissed her that night. They'd known each other for four days, five nights, and three concerts later he'd kissed her in the middle of the square between the Drum and Bell Towers. It was a kiss made of hunger, hunger to discover every little thing about someone so precious and new.

"I don't know what it is about you, Rong, you have a way of making people want to take care of you, and love you, and spoil you. It's your parents. It's Doro. It's me."

"You're not scared of me?" she'd asked him.

"As long as you're not afraid of me. I'm made of flaws."

"Tell me about them."

"You'll find out soon enough," he shuffled his feet.

When they made it back to the square for the second time, face frozen from the cold and excited but sad, touched by new love, someone so new and perfect in each other's imperfections. He touched her face and said, "Don't go," then, "come back, come back to Beijing, come back to me. I like you. Rong Rong, I like you a lot. Come back from Dalian."

Her mind sped with thousands of thoughts on the way back to Doro's apartment. She thought about how she could possibly convince her parents, and how she could possibly afford living in Beijing. Would she try to study maybe? Or try to find work? Would they pay for her living expenses? Would they even let her come without a school lined up?

"I'll figure out a way," Mao said. "Go home, be with your family for the holidays, and I'll find a way, just wait for me."

"Ok," she said. "I'll wait."

After she closed the door behind her and slumped down to the floor, heart still racing and hands shaking, Doro appeared by the doorway like a ghost. "Mao was with you?"

Rong nodded.

"Oh right, ok."

"I'm buying a ticket to go home tomorrow."

"Ok."

"Doro—"

"Rong, you know, somehow, I feel like I've lost both you and Mao in the past three weeks. It's really great that you're falling in love and spending every waking hour together and all. It's really great, but—"

"You love him."

Rong wished the flash of hurt in Doro's eyes were made of anger, but it was the inexplicable sadness that made her heart break. The rush of happiness with Mao just moments before were immediately replaced by guilt.

"I know it doesn't make sense. Him and you, that's what makes sense, a prince and princess, but I dream about him Rong. I mean sometimes he appears in my dream and he's stroking my knee and I wake up crying because it's just a dream, it's just a dream."

"You should have told me."

Doro shot her with a look that Rong could never forget, it was a moment frozen in time, when you know some thing broke between two people and could never be mended, that no matter how many apologies you attempt to pile on or how many conversations you try to initiate, you know things will never be the same again.

After that winter, Doro and Rong never spoke again. The only time Rong would bring Doro up would be when others asked how she and Mao met. With a touch of sadness she would say, through a mutual friend, she introduced us but we then both lost touch with her.